Fig One - Poster
Fig Two - Scene from the film
The cabinet of Dr. Caligari (1920) is a silent horror film directed by Robert Wiene. The film is about the deranged Dr. Caligari and his faithful sleepwalking Cesare, who are linked to a number of murders in a mountain villiage.
“The first thing everyone notices and best remembers about "The Cabinet of Dr. Caligari" (1920) is the film's bizarre look.”(Roger Ebert, June 2009). The setting of the film is what is the most unique thing about it, everything is asymmetrical and odd looking, buildings and streets are more like canvases for scenery and objects.
“It is difficult to imagine the film done better with the benefit of sound, colour, or any innovation since.” (Nick Hilditch, March 2001). The music plays a massive part in the film, setting the scene and emotion of the film. There’s a scene where Jane is anxious so the music picks up speed to show this to the audience as the actors can only portray so much emotion in the acting.
“A ghostly looking Francis (Friedrich Fehér) recounts to an equally pale friend his strange tale of woe involving his fiancée Jane (Lil Dagover).” (Cole Smithey, October 2011). The make up in the film on the main protagonists is heavier around their eyes to make their eyes stand out more to help caption emotion their feeling, which also gives the film a gothic feel towards it.
Drama staging rules are present in the film as the actors never really have their backs towards the camera, the drama rules mainly stood out near the end an actor goes to grab another actor to his right so naturally he would use his left arm but so he doesn’t show his back towards the camera he uses his right arm to grab the other actor instead.
Overall the film is unique with, no other film like it. Over the top acting and music to set the emotions in the film, there’s elements of gothic in the makeup which is also used to help show emotion through the actors expressions.